Cover design for Goldsmiths Press Precarity Lab

Commissioned by
Goldsmiths Press

Link
https://www.gold.ac.uk/goldsmi...

2020

A cooperative show by Art & Science, University of Applied Arts and Vienna Art Week with an array of scientific institutes at Vienna Art Week 13 in MQ, Ovalhalle. In addition to being an exhibitor, I was also responsible for the exhibition graphics, communication, catalogue and production.

Commissioned by
MA Art & Science, University of Applied Arts Vienna

Link

http://artscience.uni-ak.ac.at/activities/crucial_experiments

2013

Identity & artwork for cycling merchandise.

Commissioned by
Phil

Link
https://www.trikoterie.at/

Instagram
@trikoterie

Credit
Pascal Lebersorger

Post processing
Pascal Lebersorger, Stefan Schiermeier

2017

SMITHS is the Goldsmiths student union magazine I was assigned Design Editor. Three issues were published throughout two semesters. Our goal for the year was to develop a feature based magazine, that would be redefined with each issue and refining its identity as we progressed. Hence our motto “We can do anything with this”. The features, photography and visuals were entirely sourced from the student body, resulting in the democratisation of the magazine both by the student body and for it. During my tenure as Design Editor I designed the SMITHS logo, the Goldsmiths year planner, distribution material, the magazines themselves, and organised the 3rd issues’ launch exhibition.

Commissioned by
BA Design Goldsmiths University of London

Link
issuu.com/unionplus/docs/smiths_issue_3

2009—2010

My brilliant partner Benjamin Weetman, the rest of the graphics team and myself are responsible for the graphics, identity and show graphics of the Future Folk BA Design University of London degree show. The catalogue doubled up as a guide and memento to the 4 day exhibition. We approached the design of the document to correspond with our ideas about the distribution of a collective publication. Our intention was to take full advantage of this rare opportunity, with the intention of applying our graphical knowledge and resources to challenge and push the traditional format. There are 1000 copies of the released publication, risograph printed with Ditto Press, on 80 gsm evercopy recycled paper inside a screen printed Fenner 270g colourset cover, bound together with rubber bands.

Context
Degree Show

Commissioned by
BA Design Goldsmiths University of London

Link
It's Nice That
futurefolkdesign.co.uk

2011

A language of production is transformed into a language of use. Remove the clutter, trim reality down, and create a set of interfacing prototypes that allow a more direct access to the language of objects. Such objects must be simplistic and tactile enough to be freely associable to any given design task, any environment and any test subject, including myself. 3D printing technology allowed me to create a set of infinitely reproducible, replaceable, uniform objects that can serve this purpose.

What you see before you should be understood as language. However, I don’t expect everyone to have the same understanding of it. There exists a culture of objects and how we perceive them. As we are individuals, we interpret objects differently. Each piece has meaning in itself. Taken together the meaning may change — their collective becomes greater than the individual parts. Together they can be a conversation. Together they can be language.

More important is how others can contextualise these items. It is universal in the way that it knows no limit of tongue, vocabulary, grammar, or even literacy.

Context
Degree projekt
BA Design Goldsmiths University of London

2010—2011

The initiative sponsored by SHIFT was a silk screen workshop-concept facilitated by Viadukt in collaboration with a number of female artists, who brought us each together with volunteers from various marginalised communities. The outcomes of these individual workshop series, culminated in a group show.

It was my privilege to be paired with a group of strong teenage refugee women. My workshop for them aimed to materialise the groups impression of the city they now call home.

Commissioned by
Viadukt

2018

A strip of light dependent resistors, working in unison through Arduino and Logic, produce an analogue orchestra that is presented alongside my colleagues from the Live Project. After the Live Project, we voluntarily continued working on the interactive segment of our design proposal that led to this outcome. We perforated over 40 metres of print roll paper with a vinyl cutter to enable anyone to interact with the device. By picking these perforated dots out of the paper, the user was able to compose a piece of music.As the paper passed through the sensor array, the dots that had been removed would cause light to shine onto the LDR’s and in turn trigger samples within the Logic environment. Within the environment was a bank of samples, each sensor had its own bank, within which notes were randomised to give variety. The Digital Pianola was proudly featured at the London College of Fashion graduate digital showcase in 2010.

Digital Pianola Team
Hal Gillilan, Benjamin Weetman,
Doug Roxburgh, Zahra Shahabi

Link
Video 1
Video 2

2010